This experimentally-structured dissection of the life of reclusive Canadian pianist Glenn Gould is far more watchable than it has any right to be. The short films referred to in the title are spread across a range of styles and genres - from talking heads through dramatic reconstructions and including abstract pieces set to Gould's performances and compositions.
Gould himself, a child prodigy and concert pianist star at a young age, retired from performing in the 1960s at the tender age of 32 to concentrate on recorded performance (a trick the Beatles would pull two years later). In the majority of the films here he is played by Colm Feore, who captures the essence of an idiosyncratic - arguably obsessive-compulsive - personality.
Director Francois Girard follows a loose chronology though Gould's life, breaking the biographical sections up with a range of excellent - occasionally inspired - shorts centred around the man's music. These include snippets of cinematic expression similar to those found in Fantasia, enacted or genuine response to the music, abstract animation, and perhaps most memorably one astonishing sequence of X-ray video footage.
This is not a film for entertaining the family on a weekday afternoon, but - for those so inclined to watch - is is gripping, fascinating and beautiful. As an artistic exploration of one man's life and work, and a study of the music that engulfed it, the film is a triumph.
4/5
Gould himself, a child prodigy and concert pianist star at a young age, retired from performing in the 1960s at the tender age of 32 to concentrate on recorded performance (a trick the Beatles would pull two years later). In the majority of the films here he is played by Colm Feore, who captures the essence of an idiosyncratic - arguably obsessive-compulsive - personality.
Director Francois Girard follows a loose chronology though Gould's life, breaking the biographical sections up with a range of excellent - occasionally inspired - shorts centred around the man's music. These include snippets of cinematic expression similar to those found in Fantasia, enacted or genuine response to the music, abstract animation, and perhaps most memorably one astonishing sequence of X-ray video footage.
This is not a film for entertaining the family on a weekday afternoon, but - for those so inclined to watch - is is gripping, fascinating and beautiful. As an artistic exploration of one man's life and work, and a study of the music that engulfed it, the film is a triumph.
4/5
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